byronmccaughey

Newsletter cover image of Roger Federer

The Federer Formula: Emotional Replenishment for Peak Performance

On the day of a Grand Slam night match, most tennis pros try to control every aspect of their preparation—from sleep in their hotel room to hooking themselves up to performance-enhancing machines, analysing the match ahead, and eating the perfect amount of calories. But not Roger Federer, who was often seen strolling through one of

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Newsletter cover image of Adele

Performing with Anxiety

Believe it or not, performance anxiety is your friend. And it’s really common, even among world-class performers like Adele, Nadal, Emma Stone, Andrea Bocelli, Lorde, Meryl Streep, and Jay Z, who have openly discussed their pre-performance nerves. Our anxiety gets misunderstood. It actually primes us for performance by sending signals to our body that the

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Newsletter cover image of Winnie and Nelson Mandela

Winnie & Nelson: Embracing Diversity in Approach

Winnie and Nelson Mandela shared a vision of dismantling apartheid in South Africa but had rather contrasting approaches to achieving that vision. Winnie adopted a strategy focused on grassroots activism and direct action. She was heavily involved in organising protests, mobilising the masses, and supporting resistance activities. On the other hand, Nelson emphasised peaceful negotiations,

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Newsletter cover image of Craig Foster

Wilderness Rapture

Craig Foster, from the documentary My Octopus Teacher, was on his morning ocean swim in the Great African Seaforest when suddenly he spotted a giant 17 x 14-foot stingray, the largest species in the world. Keeping his movements steady and vibrations low—essential given a sting from their spine can be fatal—Craig glided alongside this giant

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Newsletter cover image featuring Misty Copeland

Dancing with Doubt

Misty Copeland became the first African American female principal dancer with the prestigious American Ballet Theatre—but that wasn’t supposed to happen. Told she didn’t have the ‘right’ ballerina body—too muscular and curvy. Her background didn’t fit the mould of what a ballerina ‘should’ be, and she started ballet far too late to make it as

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